perfect timing. while i am away @ the banff centre, the video installation when the gods came down to earth goes live sept 3. there is more information on the installation, created by filmmaker srinivas krishna, here.
it promises to be quite a startling and impressive installation. audio will play every 1/2 hour from around 8 am to 11pm.
specifically for the audio portion, thanks are in order to john gzowski, who will do the final soundcheck for me. also of course a big thank you to krishna for asking me to do it in the first place.
the installation is presented by the royal ontario museum’s institute for contemporary culture and the toronto international film festival’s future projections program.
please drop by and let me know how you liked it.
just received word that skin will be programmed at cineworks’ group exhibition who will give up their distinctions? in vancouver in september 2008. at the moment we are trying to figure out what form the work will take, but it looks likely that it will be a looping projection with the audio track on headphones, which is my ideal format.
update: the sound will be piped into the space. skin will be looped and presented with another video by clint enns, prepare to qualify. latest info is that this exhibition will be part of SWARM 2008, a festival of artist run centres in vancouver. the festival and screenings will be september 5 and/or 6.
the website and address is here. if you are in the neighborhood please drop by.
i have been selected for inclusion in the SAVAC group exhibition @ harbourfront centre, august 8-10. a new audio installation, shruti, using binaural recordings of the tanpura, field recordings from kolkata, and sound from the harbourfront site itself, will be created for this event, part of the south asia calling festival @ harbourfront.
the exhibition is free and will feature some great art from artists tackling the theme of “re-generation”.
hope to see you there.
Harbourfront South Asia Calling
UPDATE: here are some pictures from the installation. a good time was had by all.
i am at the unbelieveable sound symposium here in st john’s newfoundland. they brought me here to install my sound piece kolkata garden. we found a beautiful place near the “fluvarium”, in a clearing in a protected park. it was really perfect.
i am meeting all sorts of interesting artists from a variety of disciplines. check the website for some of them. if you ever have a chance to get out here, do it!!!
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the next few weeks will be, in a word, mad. apart from gigs and rehearsals with maryem tollar’s toronto-cairo collective, leela gilday, ensemble polaris, and nadjiwan, i will be creating sound for a number of really great projects:
1. berlinale-approved maxime desmon’s new short someone is watching us;
2. a harbour symphony @ the sound symposium in newfoundland. every day @ noon during the festival composers create a piece for all the ship’s horns to play;
3. when the gods came down to earth—the audio track for a video installation by srinivas krishna to be exhibited during the Toronto International Film festival.
oh, and i have to dj a party @ the sound symposium. i hope they know what they are in for…..
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i have finally posted some more lippok | sinha pix from the tenori - on launch in montreal. here is a picture from the day after, featuring my giant head. go to the original post here.
i’m at the deepwireless festival of radio art this weekend, as part of the performing quartet of myself, chantal dumas, andreas kahre, and kathleen kajioka. on tap are workshops and performances and live 12 speaker disseminations of radio pieces. i am particularly excited to see/hear tetsuo kogawa’s keynote speech and performance tomorrow morning. this festival is getting bigger and bigger, and the work of nadene and darren is really making this festival a major event in audio/radio art here in north america (and, dare i say it, internationally).
update sunday: attended tetsuo kogawa’s lecture and performance at 9am this morning. i am completely blown away. it is rare that such a level of theoretical grounding and articulation accompanies such masterful artistic execution. or at least its rare that we get a glimpse of both sides. kudos to naisa (see link above) for a) programming kogawa san and b) creating a context for both of these sides of this amazing artist.
in other news, some media for my piece @ deepwireless can be found below.
video here (thanks to justin @ transom.org)
in performance:
tetsuo kogawa’s workshop:
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have been a bit off the radar for some time, but working hard, trying to catch up on the sound installation and the 24 hour video project while i wait for upcoming projects and grant results.
there is a boom/bust kind of cycle in the work process that can be very discombobulating. i wonder if it is the same for all self employed people (ie anyone running their own company/business) or if it is just that way for creative people. the time to “play” and mess around is vital to creating, and yet i find that there is less and less time to do it. or maybe i’m just not focused enough. or still haven’t found the right/most optimum way of working. or haven’t figured out the work/life balance. or…..
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the seminal composition 4′ 33″.
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just found out i have been awarded a production fellowship at the banff new media institute by the bnmi and quebecor fund.
dates tba but i am hoping to go at the end of august/early sept. its to go work there for 21 days, and i will be based in the creative electronic environment….hmmm….i guess i’m in one now, but the one at banff i think will be a bit more flash.
outcome: a surround sound video installation and possibly a performance concept for laptop and projections. the project summary is: Harmonium is a surround sound video work that is made up of connected improvisations using video and audio source material shot in Banff and India and manipulated recordings of the harmonium, a reed instrument imported to India in the mid 19th century from England and now an integral part of devotional music in South Asia. Using these materials, harmonium meditates on the nature of sound, light, and faith, and how these elements find expression in the life of a 2nd generation Canadian.
i am super honoured to be chosen for this fellowship. the banff centre is an amazing place—i was there for a day or two on a maza meze tour and it was really quite something. beautiful and full of energy. i look forward to going there to learn more about video and make this work.
wish me luck.
